Director: Damon Gameau
Rated: G
Running Time: 92 minutes
Synopsis: Drawing on the best minds from around the world to focus on climate, economics, technology, civil society, agriculture and sustainability, 2040 maps out a pathway for change that can lead us to a more ecologically sustainable and equitable future.
Motivated by his 4-year-old daughter and concern for the planet she will inherit, Damon Gameau embarks on a global journey to meet the innovators and change makers pioneering the best solutions already available to us today to improve the health of our planet and societies. Inspired by these discoveries and guided by the many children he consults with along the way, Damon interweaves dramatic sequences and high-end visual effects to conjure a positive portrait of what 'could be' instead of the current dystopian future we are so often presented.
Aimed at a broad audience that includes children and their parents, serious information is delivered with irreverence and humour. Experts are shrunk into scenes to emphasise a point, animation makes the invisible visible and visual effects show how scaling these solutions by 2040 will positively impact our lives and our planet. This rich visual approach combined with the structure of an intimate letter to a daughter from her father allows for lightness and cheekiness, ensuring the film is both entertaining and educational, with the end goal being to inspire action and change.
Many academics believe that people become inactive or paralysed on this topic because it all just feels too overwhelming and alarming. 2040 is an aspirational film full of hope about the possibility to make changes that will shift the course for humanity and the planet.
This is the narrative the next generation needs to see, to aspire to, and to believe is possible.
2040
Release Date: May, 2019
Many films, seminal films, have told us about the dire situation we currently and ourselves in. Spanning ecological disaster to cultural collapse, these films have raised awareness and created a groundswell of people desperate for change. But with more and more images of destruction and suffering filling our news feeds, this is the narrative we are showing our children and, sadly, these images overwhelm and paralyse us from taking action. I believe there is room for a new story, a story that focuses on the solutions.
'2040' is a letter to my 4-year-old daughter showing her an alternative future to the doom and gloom version we are currently presented with. But there is a catch. This is not an exercise in bad parenting - everything I show her in 2040 must already exist today in some form. It cannot be made up. This film is not a utopian fantasy; it is an exercise in what I call 'fact-based dreaming.'
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