'Bewitchingly written and gracefully assured
the story Aw tells is mercilessly gripping and his prose is lucid, uncluttered, beautiful
Aw orchestrates a graceful ballet of dissonances and congruences, of echoes and discords' The Times on The Harmony Silk Factory
Tash Aw gained international acclaim with his debut novel The Harmony Silk Factory, which in 2005 won the Whitbread First Novel Award and the Commonwealth Writers' Prize for Best First Novel - as well as being long-listed for the Man Booker Prize.
Aw's novel is the story of two orphaned brothers in Indonesia in the 1960s, who are separated at a very young age. One remains in Indonesia where he is adopted by a Dutch painter; the other is taken to Kuala Lumpur to live with a rich Malaysian family. Now they are in their teens, almost men, and Indonesia is becoming increasingly unstable in the last year of Sukarno's rule - his famous Year of Living Dangerously - and the brothers' lives are poised on the edge of great change.
Aw says, 'I wanted to write a story about two countries that have always thought of themselves as brothers but have very differing paths through history, very differing temperaments. My preoccupation as a novelist also lies in the lives of "ordinary people" and not overtly exceptional or colourful characters. Growing up in Asia, I was aware of how sharply polarised society was, and still is, between the educated middle classes, who form the minority of the population and who lead comfortable lives, and the less fortunate, uneducated people who form the majority of the population but are often overlooked.'
Tell us about your appearances at the Sydney Writers Festival:
Tash Aw : Well I have been invited to attend the festival and speak at four sessions, over the 22nd to the 24th of May.
Tell us about your book, Map of the Invisible World:
Tash Aw : Well it's a book set in Indonesia and Malaysia in the early part of the 1960's. It is about two orphan brothers who are separated at a very early age, one goes to live in Malaysia with quite a well-off middle class family and the other stays behind in Indonesia, where he is adopted by a Dutch painter, who is taken away, it is the end of Sukarno's rule, and Indonesia is purging the country of all remaining foreigners and slowly causing chaos. The younger brother has to go off and find his foster father and find his own way in life.
Where did the idea for the book come from?
Tash Aw : Well I always liked the idea, when I was growing up in Malaysia, Indonesia was always talked about as the 'big brother' of the countries- two countries orphaned. In fact we are both quite different so I always wanted to write a book, a story set in the two counties, and because of the idea of brothers I had the idea of two brothers who come of the same part of the world but who are separated, and take two very different paths through life.
What research went into this book?
Tash Aw : Well I did a lot of library and archival work, just to get the politics of the 60's right, it was a very turbulent time and the politics where very complicated. I had to do a lot of work around the subject, but I also spoke to as many people as possible, who lived in Jakarta in the early 60's to get a flavour of what life was like.
Also, Jakarta is a city I know very well, my father lived and worked there for many years, so I have always known it.
You have received a lot of praise from various sectors of the writing industry, how does this make you feel?
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