Australian artist and architect Chris Fox

Australian artist and architect Chris Fox has reimagined Sydney's railway lines to create a major new sculptural landmark inviting visitors to reflect on the various histories of the site as well as come together before diverging into their own future journeys

A major new public pavilion and sculptural landmark by Australian artist and architect Chris Fox has been unveiled in the heart of South Eveleigh's revitalised Village Square in Sydney.

The multi-award winning Sydney artist, Founder and Director of Studio Chris Fox and Senior Lecturer in Art Processes and Architecture at the University of Sydney, creates large-scale public art installations that interrogate the conceptual and material boundaries between art and architecture. Fox is renowned for transforming the historic 1930's wooden escalators from the heritage-listed Wynyard station into the celebrated artwork Interloop, a major fifty metre installation suspended above the York Street escalators.

For Interchange Pavilion, a major new commission by Mirvac and its consortium partners for South Eveleigh, Fox drew inspiration from the precinct's rail history combining over 250 metres of stainless steel ground rails, 15 tonnes of robotically moulded glass reinforced concrete and 1400 pieces of router cut hardwood. This unique material palette is supported by a 14 tonne structure made up of over 1650 pieces of digitally fabricated aluminium to create a 350 square-metre public art installation.

The arcing architectural forms of Interchange Pavilion reference the geometry of a railroad switch; the point at which a train can change its course, moving from one trajectory to another. The pavilion is a meeting place where tracks converge, a place of interchange where paths cross. Peeling from the ground plane, geometries arc overhead to create an embracing volume; a point of confluence.

Interchange Pavilion is a sculptural landmark of the wider contemporary public art program at South Eveleigh facilitated by Mirvac and curated by Carriageworks. Mirvac and its consortium partners AMP Capital, Sunsuper and Centuria Property Funds have focused on building a public art program at the new community precinct including sculptural and botanical interventions, landmarks and meeting places created by a number of local artists.

Public art works that form part of the wider South Eveleigh precinct include a site-specific artwork by Jonathan Jones located in the lobby of the Axle Building. Untitled (red gum slabs) also responds to South Eveleigh's rail history, proximity to the railway network, as well as its local and state Indigenous heritage. The old red gum slabs used in this artwork were originally harvested in the Koondrook/Barham region on the Murray River, some over 100 years ago. Visual artist Nell has created two works for the precinct, Eveleigh Treehouse created in collaboration with Cave Urban, consisting of a series of interconnected pods that capture the essence of what adults remember tree houses to be, a place for imagination, observation and retreat; and Happy Rain, a large-scale smiling cloud created from LED lighting attached to the exterior of Yerrabingin House (Building 3).