Cast: Mosab Hassan Yousef, Gonen Ben Yitzhak, Sheikh Hassan Yousef
Director: Nadav Schirman
Genre: Documentary, Drama, Thriller
Rated: M
Running Time: 95 minutes
Synopsis: Mosab Hassan Yousef always sits with his back to the wall and his eyes on the door. He changes apartments frequently. He has to, if he wants to stay alive. Considered a traitor by his family and his people, Mosab is alone. His only friend is his former enemy.
His father is Sheikh Hassan Yousef, one of the seven founding members of Hamas and one of its most popular leaders. He's in prison now. Mosab put him there; to 'protect" him.
For over a decade Mosab – code name: 'The Green Prince" – was the number one source for the infamous Shin Bet, Israel's secret security service. Recruited at 17, he went on to betray his kith and kin to spy for his former enemy in the heart of his father's organisation.
His Shin Bet handler, Gonen Ben Yitzhak, once considered one of the rising stars of the service, risked everything – including treason – to save him.
The special bond between Mosab and Gonen made for one of the most unlikely but effective partnerships in the history of Israeli intelligence. It led to the arrest of top terrorist masterminds, prevented multiple suicide bombings and revealed crucial secrets that would have a direct impact on major political events.
In a world of lies and deceit they learned to trust one another. Ultimately, though, they had to turn against their own in order to save themselves.
Set against a backdrop of recent events in the Middle East, Nadav Schirman's The Green Prince is a multi-layered psychological thriller that will challenge people's preconceptions of the on-going conflict in the region. Combining exclusive first person testimony, dramatic action sequences and never-before-seen archive footage, this is a powerful cinematic experience - a spy thriller that will have audiences on the edge of their seats.
The Green Prince
Release Date: December 4th, 2014
Question: What motivated you to make this film?
Nadav Schirman: When I heard Mosab's story I was immediately taken by his insider's depiction of Hamas. It's an organization which is obscure to the world, its inner mechanism never revealed until then, and that grabbed me. But then, I met Gonen, his Israeli handler – and when I understood the unique nature of their relationship, then and today, I was so moved, I felt I had to channel this into a film. Both protagonists have dared to put their lives at risk to do what's right. They each have a very strong moral compass and they are not afraid to go against the tide in order to do what's right. This is so rare in the ongoing Israeli-Palestinian conflict where people tend to follow rather than lead. I found their connection so full of hope, in the sense of 'see what happens when people dare trust one another and go against pre-conceived notions". And of course their story had all the elements of a high-octane thriller, which I wanted to do in the documentary form.
Question: What is the film about?
Nadav Schirman: It's about this unique relationship between a handler and a source -- a relationship that is ruled by lies and deceit on both ends, even self-deceit to some extent. But then it's also about the relationship between Mosab and Gonen, the individuals behind those functions of handler and source, and how their humanity defies all the rules and breaks all the boundaries.
Question: What were the main challenges in making The Green Prince?
Nadav Schirman: Dramatically, we wanted to make a film that is gripping from minute one until the end. I always have Billy Wilder's adage in mind 'grab the audience by the throat and don't let go until the end." More than a film about this character or that one, it's a story of a relationship. How the best of enemies become best of friends. It was very challenging to put together such a griping narrative with only two characters. A 'two hander" as Simon Chinn calls it.
The Green Prince is a cinema documentary, so we very much had the audience in mind at every step. I have a lot of respect for the cinema going audience and wanted to create a viewing experience that is both extremely suspenseful and adrenaline releasing, as it touching and cathartic.
Visually, it was clear from the start that we would have two point-of-views: The POV of the machine, the system, seen through the drones and the surveillance cameras, perceiving humans as functions, blips on a map. And the POV of the human, which is fragile and emotional.
It was also very challenging to find rare footage that would give a sense of here and now. We were very fortunate to be able to unearth some real gems, such as footage of Mosab in Ramallah in the years he was still operating undercover.
Question: The spy/special agent subject matter appears like a red line through the documentaries you have directed so far. Are you particularly intrigued by the world of secret agencies?
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