What makes someone vulnerable to becoming a victim of an online predator?
Cry Blue Murder is a thrilling crime novel about the dangers of social media and online communication.
A serial killer is preying on teenage girls in Melbourne. When Celia meets Alice at an online tribute for the killer's latest victim, Hallie, they quickly develop a friendship. Confiding their deepest thoughts and fears via email, Celia and Alice soon become extremely close. But is everyone who they seem?
Cry Blue Murder is a haunting and poignant psychological thriller that pushes the boundaries of trust and betrayal, life and death.
Kim Kane was born in London in a bed bequeathed by Wordsworth for -... a writer, a dancer or a poet'. Despite this auspicious beginning, she went on to practise law. Kim's picture book Family Forest was shortlisted for the 2011 Children's Book Council of Australia (CBCA) Awards. The Vegetable Ark was a 2011 CBCA Notable Book in two categories. Kim's first novel, Pip: the story of Olive, won the 2008 Barbara Ramsden Award and was shortlisted for the 2009 Australian Book Industry Awards and the Speech Pathology Australian awards. Kim lives with her family in Melbourne. She writes whenever and wherever she can.
Marion Roberts is a professional fiction and corporate writer based in Melbourne. She has published two novels for young readers following the misguided adventures of eleven-year-old Sunny Hathaway. Cry Blue Murder is her first YA novel, co-written with Kim Kane. Marion studied Professional Writing and Editing at Royal Melbourne Institute of Technology and has a Masters Degree in Creative Writing from the University of Melbourne. She is currently furthering her studies in Performance Writing at the Victorian College of the Arts.
Cry Blue Murder
University of Queensland Press
Authors: Kim Kane and Marion Roberts
ISBN: 9780702239267
RRP: $19.95
Question: What do you enjoy about writing young adult fiction?
Kim Kane and Marion Roberts: We both are really interested in exploring 'voice' and voices of young people. Although writing young adult fiction is a first for us both, the thing that drew us to it is actually more about crafting a good, plausible story. The benefit of writing for a slightly older audience is that we could explore ideas and use language which may not be appropriate for a younger audience.
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