You make the best choices you can at the time Beth, knowing you'll never have to live this life again.' Val shakes her head, her voice cracks. -You'd never want to.'
Thirty-one-year-old Beth, who's grown up in Western Australia's wheatbelt, is running from her past when she heads to an island in Papua New Guinea. Interwoven with Beth's narrative about the joys and brutalities of island life is the story of her parents' passionate, tender love for each other. But Clem and Rose's union is beset with tragedy, forever marking the lives of those around them.
Bloodlines is a layered novel with shifting settings, times and voices. At its heart it is a story about love – love found and love lost – and the choices that shape us. If offers insight into the complexities of daily life in Papua New Guinea and how it feels to be an outsider in our closest neighbour's land. It is also a story about family, exploring the bonds that tie us to our clan – specifically, the changing relationship between father and daughter as a young girl grows into a woman; the grief, and acceptance required. On many levels, it is a novel about letting go of the past and forgiveness of self, of saving and being saved. Above all, Bloodlines asks us to consider what it means to make a home, and what we might owe to those who dwell in it.
Nicole Sinclair's short fiction and non-fiction has appeared in the Review of Australian Fiction, Westerly, indigo Journal and Award Winning Australian Writing, and also forms part of the artworks along Busselton Jetty. Her short stories have won the Katharine Susannah Prichard Short Fiction Award and the Down South Writers Competition. Bloodlines is Nicole's first novel and was shortlisted for the 2014 TAG Hungerford Award. Nicole has lived and worked in Papua New Guinea and now lives in the south-west of Western Australia with her husband and two (very young) daughters.
Bloodlines
Margaret River Press
Author: Nicole Sinclair
RRP: $27
Question: What inspired Bloodlines?
Nicole Sinclair: Bloodlines was inspired by my experience of two very different places: the wheat belt farm (and town) in Western Australia where I grew up, and an island in Papua New Guinea where I worked as a volunteer in a local school. In many ways, the narrative is a tribute to both the physical landscape and the people who I felt a close connection to in each place. It is an exploration of family and friendship, love and loss.
Question: Can you talk about the difficulties in writing a book with dual narratives?
Nicole Sinclair: I always wanted to write a book with dual narratives because I am curious about how one story informs another, and how the past shapes the present. My writing process is quite spontaneous and organic (just as well – it had to find space around having babies!) and luckily, both the PNG and WA strands flowed well enough. I wrote the bulk of Bloodlines in fragments by hand (yes, 83 000 words by hand) and the most challenging part was compiling these pieces in some sort of order that worked. At times I physically laid the fragments out on the floor and moved the order around. I felt like a dress-maker fitting all the pieces of a garment together. It was tough – but one of the most enjoyable parts of the process.
Bloodlines
Margaret River Press
Author: Nicole Sinclair
RRP: $27
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